Clockwise from the upper left we have; Kari, Gretchen, Bonnie, and Danielle. The fun has been in trying a different approach each time. With Kari I was still drawing with a brush with asphaltum , but I changed my approach to handling of the eyes, which I like. Both with Gretchen and Danielle I did an under painting in terre verte but where I was going for darker shadows with Gretchen (and leaving the picture-plane left eye all in shadow) I tried a higher key handling of Danielle. Also I tried mixing different combinations than my tired go-to flesh formula, and I think it turned out ok. It's hard to see in the picture, but I like the handling of the area around the mouth. Bonnie was kind of a mixed bag of approaches. I did an actual charcoal drawing for the structure (since I'm more confident with a pencil than with a brush) and took my go-to flesh formula and complemented it with mixtures that I learned painting Danielle. The overall handling of paint in this one is more of what I'm after. More chunks. Less blend. We'll have to wait to see where I go from here.And the beat goes on.

2 comments:
Vaughn, these look amazing. You've grown and improved a great deal since CCA. You should be proud.
I like the facets in these faces. They remind me of Modigliani in some way.
Oh, and I recognized Bonnie right away! (I don't think I know the other women.)
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